Mick Kolassa – Wooden Music

Mick Kolassa – Wooden Music


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In doing this album Mick wanted to really craft the songs, not just play them. We knew from the beginning that this would be another totally acoustic album, by choosing to restrict ourselves to just acoustic instruments it drove a cool creativity. We wanted to really show that an acoustic album can sound as big and full as one using the typical electric instruments – being acoustic doesn’t mean that it has to be sparse (not that there’s anything wrong with that).

Mick is blessed with amazing musical friends, and many joined him on this album. Of course, Jeff Jensen came onboard, both as producer and as principal guitarist. Tom Lonardo and Carl Casperson, who added their magic to “They Call Me Uncle Mick” provided a rock-solid rhythm section that held it all together. Doug MacLeod also brought his special magic to the two songs that open the album and, of course, Eric Hughes was a critical par of the team. Eric is the only musician (other than Mick) who has played on every one of Mick’s albums – it wouldn’t be a Mick album without Eric!

This album also highlights the skills of two other harp players, and they really delivered! Bob Corritore and Mick had often talked about working together and this album provided the opportunity. You’ll see that Bob really delivered. The other harp player is Vince Johnson, who isn’t widely known outside of Beale Street but sure needs to be – and you’ll agree when you hear what he did.

Tas Cru and Mick have worked together often, and Tas provides a beautiful guitar part to the song Memphis Wood. Tas has the ability to put himself inside the song and work to make it better, and he di just that! Another longtime friend, Libby Rae Watson, was the ONLY person Mick wanted to join him on the vocals for the song “Baby Took A Limo to Memphis” – not just because of her vocal talent (which is wonderful) but her attitude, which fit the song perfectly, as you will see.

The remaining guests have worked with Mick on several projects, and have always made things better. Reba Russell and Susan Marshall are well known and respected in the music world, and if you don’t know who they are you really need to check them out! What they brought to the song “Hurt People Hurt People” is simply stunning.


Doug Deming & the Jewel Tones – Groovin’ at Groove Now!

Doug Deming & the Jewel Tones – Groovin’ at Groove Now!


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Groovin’ at Groove Now, the dynamic and energetic performance by Doug Deming & the Jewel Tones, captured and recorded live at Atlantis Basel for the Groove Now concert series in Basel, Switzerland, is the live recording longtime fans of the band have been waiting for.

Running the gamut from traditional blues to swing and jazz, the nearly one-hour set includes eight original tunes, and three tributes to blues giants like Willie Dixon, Little Walter and Fats Domino.

Historically a quartet, the current Jewel Tones configuration is pared down to a trio consisting of Doug Deming on vocals and guitar, young veteran and longtime bandmate Andrew Gohman on upright and Fender bass, and newest member Zack Pomerleau on drums and harmonica, simultaneously. For the Groove Now concert, the trio was joined by fantastic, award winning saxophonists Terry Hanck and Sax Gordon, as well as renowned keyboardist Bill Heid.

Doug Deming and band display the depth and musicianship of a group honed to a level of sophistication borne from their utter love and respect for the blues genre, and it broadcasts loud and clear. With the addition of unrehearsed special guests for this performance, Groovin’ at Groove Now captures a night of incredible chemistry and spontaneity between a host of exceptional artists, and affirms Deming as a formidable bandleader.

For the Feral Heart

Mick Kolassa – For The Feral Heart


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CHECK IT OUT – listen / stream it / buy it!

December 2022 Release

Over the course of 12 previous albums Mick Kolassa has written and recorded many love songs – this album is NOTHING BUT LOVE SONGS! For the Feral Heart starts with blues but ventures into several other styles, taking the listener on a musical journey. For the Feral Heart includes blues, jazz, calypso, reggae, singer/songwriter and even America standards. With ten originals and two “covers”, the album traverses a lot of musical ground!

Kicking off with the blues-rocker “Running to You,” the album hits the ground running! “Elegant Angel,” a song celebrating a strong woman, is a blues/jazz number that features Memphis guitarist Mario Monterosso. Mick has re-arranged Dave Mason’s “Feeling Alright,” which is actually a song about a divorce, to take it back to the message of the lyrics – something it seems few fans have ever truly listened to– and Mick and Jeff Jensen enjoyed trading guitar licks on this song. “Love Ain’t Supposed to Make You Cry” is one of Mick’s trademark slow minor key blues songs, with Mario Monterosso adding his splendid guitar work. “Easy to Love,” a jazzy blues number about how difficult love can be to maintain, is followed by “I Keep Looking,” a more acoustic number that tells the uncomplicated story of a deep love that has no reason to end – ever.

The ballad “I Left My Heart in Birmingham” tells of the problems of a long-distance love affair with a slightly country feel, and “Love in My Size” is a singer-songwriter tune about an unexpected love. “Forever Sometimes” is a reggae song that celebrates an occasional love affair while the calypso tune “Hold On” tells of a deep commitment between two lovers who are going to stay with each other and get through any troubles. “Run Away With Me” is a gentle song about wishes that may not come true. Wrapping up the album is the wonderful old standard, “As Time Goes By” – and you are urged to play it again!

 

They Call Me Uncle Mick!

Mick Kolassa – They Call Me Uncle Mick!


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August, 2022 Release

With this album Mick Kolassa has once again returned to his acoustic roots. No amplified instruments were used on any track, making this album purely acoustic. Once again working with producing partner Jeff Jensen, they have assembled a true Free Range Blues experience! Opening with Bo Carter’s 1931 gem “My Pencil Won’t Write No More” Mick let’s everyone know that this album is about fun! The second track is a remake of Mick’s song “Wasted Youth”, this acoustic version features the one and only Bobby Rush on harmonica. The great John Prine’s “Daddy’s Little Pumpkin” is next, followed by Mick’s “Used to Be” which features Doug McLeod on guitar.

Continuing Mick’s hobby of “uncovering” songs that fit well into a blues form, Hank William’s “I’m So Lonesome I Could Cry” is presented in a very different way. Doug McLeod also played on Mick’s original “My Woman She’s So Mean” – a song about a very troubled and troubling lady. Next, he is joined by the one and only Watermelon Slim as they celebrate a very bluesy version of Joni Mitchell’s “Woodstock” – a song they’ve played together often.

Mick’s song “Why?” asks a critical question of an overly critical friend. The old standard “Sunny Side of the Street” lightens the mood, and the lightness continues with Mick’s song “Bless His Heart” – which is build around the classic southern put down. The album closes with Mick’s homage to cheese – of all kinds.

Mick Kolassa – I’m Just Getting Started!

Mick Kolassa – I’m Just Getting Started!


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July 15, 2022 Release

With his 11th album Mick Kolassa declares, I’m Just Getting Started, and what a start. Roaming through his “Free Range Blues” Mick serves up several subgenres of blues. Working again with producer Jeff Jensen, they have assembled a cadre of seasoned musicians to bring you a selections of ear opening tunes. Opening with the title track, “I’m Just Getting Started”, Mick declares that he’s got moves ain’t nobody seen yet. In the second track Mick steps away from the classic blues and brings you a Soul blues tune called “What Can I Do?” that features some stellar lead guitar work by Dexter Allen, who also played bass on ten of the tracks on this album.

Mick then asks listeners to dream “Bigger Dreams” and not give up on the ones they have. Mick and the band move in the direction of jazz with their cover of “Alibis and Lies”, a song about modern day Beale Street originally done by Chainsaw Dupont. Joining Mick on his version of the Taj Mahal classic “Leaving Truck” is Brandon Santini – this is the first song Mick and Brandon ever played together, many years ago, and they bring it with a new and funky groove. Brandon also joined Mick in presenting their take on the John Hiatt tune “Real Man”. The other cover on this album is a very bluesy/roots gospel take on the Pacific Gas and Electric rock classic “Are You Ready”.

The love songs “That Kind of Man” and “Take Me Away” are presented with a mixture of Soul and blues rock, while “Trying Not to Let the Darkness In” is one of Mick’s classic minor key slow blues songs. Closing out this new album are “Hard Hearted Woman”, a tune about a lady who should be avoided, to say the least, and “How Much Can I Pay You?” a comical song about a patron at a club who gets more than a little carried away with her celebrating.

All combined, these songs represent an expansion of the Free Range Blues Mick is noted for, and he’s just getting started!

Uncle Mick’s Christmas Album – Order Now!

Uncle Mick’s Christmas Album – Order Now!


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October 15, 2021 Release

This Christmas album was recorded in the 95-degree heat of a Memphis summer, we thought it would be cool. The album is 100% Memphis, every musician, engineer, technician, and guest call Memphis home. Once again Mick Kolassa teamed up with Jeff Jensen to produce a fun-filled and unique album. Combining some originals with Christmas classics the band put a Memphis spin on everything. Trust us, this ain’t your daddy’s jingle bells!

The album opens with Mick’s take on Mariah Carey’s “All I Want for Christmas is You”. It is delivered in a very Memphis bluesified fashion. Then the band took “Frosty the Snowman” right down Beale Street in a Second Line kind of way. Mick’s original “The Best Christmas Ever” is a fun and funky love song about a very special Christmas present.

The blues classic “Merry Christmas Baby” is followed by a VERY different take on the previously unbluesy “Jingle Bells” – the band brought this song to Memphis in a big way! “Winter Wonderland”, which provides some lightness to the mix, is followed by “Have Yourself a Merry Little Christmas”, delivered with an R&B feeling and featuring Rick Steff on multiple key instruments – including a Mellotron.

Mick’s blues rocker “Christmas Morning Blues” is a story of a Christmas that fell victim to a classic blues problem. The album closes with the band’s “Beale Street Christmas Jam”, in which the musicians each take a shot at fitting a classic Christmas song into a 12-bar 1-4-5 shuffle. All in all, we hope this album is as much fun to listen to as it was to produce!

Mick Kolassa – Wasted Youth – Get it NOW!

Mick Kolassa – Wasted Youth
Get it Now!


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Mick Kolassa has once again teamed up with Jeff Jensen to put together a package of fun. Following the critically acclaimed If You Can’t Be Good, Wasted Youth, is a collection of a dozen tracks with 14 songs, 11 of which are Kolassa originals. The Covid year of 2020, during which Mick lost his wife and several friends, inspired many of the songs on this album. The album released on July 30th!

Stories Behind the Songs

Throwing Away These Blues (Kolassa) 2:27
2020 was a tough year, and I found it easy to feel sorry for myself (as another song will attest), but I’ve never been down for long, I seem to be almost immune to depression, and I hated the feeling. So regardless of how hard than damned year hit me, I knew I needed to move past it, and this song talks about that, it celebrates leaving bad times behind

Wasted Youth (Kolassa) 4:50
I started working on this song a couple years ago, when I was feeling less healthy and more worn down by my years. It is a song about growing older and understanding that our days are limited and realizing that I didn’t realize that years ago. I figured that a lot of blues fans would identify with the song! This track has 3 electric guitars on it, with Jeff Jensen and me paying what could be called a “call and response” as he plays a response to my initial line. Brad Webb adds his slide guitar superpowers to this song and Eric Hughes added his harp to the tune, making this 10 straight albums on which Eric joins me in making music!

It Hurts to Let You Go (Kolassa) 5:58
I wrote this song as a way to prepare myself for the loss of my wife, which I knew was coming soon – but I wanted it to be more general than just my story, I wanted to write it for anyone who is dealing with the loss of someone close to them

I’m Missing You (Kolassa) 3:47
I have an imaginary muse and I write love songs to her often – it seems to be the safe way to go! I wanted it to be funky and celebratory, telling of missing my love while being content to have her. Missing her but secure in her love. Musically I wanted the bass to dominate this song – and I think Bill Ruffino pulled that off!

Easy Doesn’t Live Here (Kolassa) 3:22
Relationships are tough, and to make them work you need to understand that, to accept that love isn’t all cake and cookies. But if love is real, and strong, adversity doesn’t really mean anything! I wanted this song to sound and feel different from others on the album, so I leaned in a Latin direction when composing it and asked the wonderful young guitarist David Julia to add some of his magic to it.

I Can’t Get Enough (Kolassa) 2:57
Another love song to my imaginary muse, meant to be slightly humorous but lots of fun. I asked my friend Anthony Paule to play guitar on this, and he captured the spirit of it beautifully. Marc Franklin (trumpet) and Kirk Smothers (sax) kept that fun spirit going as they rounded the song out.

Feeling Sorry for Myself (Kolassa) 3:04
Despite my regular upbeat attitude and apparent immunity to actual depression, I do get down sometimes and, as 2020 drag on and ever downward, I just let the “feeling down” take me down a bit further. Because I can’t let a good emotion just disappear, I memorialized my own slip into minor depression in this song. I wanted it to feel a bit like a Ray Charles song – Ray would smile through a sad song, and I love that. My good friend Victor Wainwright helped it to sound a little more like Ray!

Touching Bass (Kolassa) 3:23
This song came about as I was simply messing around with a bass guitar, walking around a 12 bar song. Playing with the fact that Bass and Base are homonyms I just started playing with the idea of a bass driven song about touching base

Darkness To Light (War, Young, Traditional) 5:27
I have always wanted to cover Slipping Into Darkness. War’s album The World is a Ghetto is one of my all-time favorites. And this song always just grabs me. I started playing around with it and I just naturally started leaning it toward a reggae feel – which isn’t that far from the original. While playing it the Youngbloods song Darkness Darkness came to mind – it had the same feel and “tone (both songs seem to be about addiction and desperation) and even have similar musical underpinnings (very similar chords) to transition from one to the other. While messing around with variations it struck me that the old spiritual, Wayfaring Stranger, was also similar musically and could be fit into the mix. The combination turns out to tell a story of addiction, despair, death and eventual salvation and reunion with love. That’s why the medley is called Darkness to Light

My Mind Doesn’t Wander (Kolassa) 3:11
Another love song, courtesy of my imaginary muse. I wanted to take this song a step or two away from a traditional blues or rock form (1-4-5 in music speak) but not too far. I asked my longtime friend Brandon Santini to join us on this song because I knew his harp tone could take the song somewhere special – and it sure did.

Pieces of My Past (Kolassa) 6:17
This song is my attempt to say goodbye and good riddance to 2020. When my wife passed away I decided to move away from Mississippi, but not too far – I moved to Memphis! I moved into a much smaller house, which necessitated getting rid of a lot of things, some of which I (we) had carted around for decades. As I downsized – significantly – it occurred to me that I was literally throwing away pieces of my past, which inspired the song.

Edge of a Razor (Kolassa) 3:06
I began writing this song about a dear friend who works harder than anyone else I know, a single mother who stretches herself thin to hold things together and make sure her children secure. Watching her let some things that would be nice for her pass by as she focused on the kids, it struck me that it’s a tenuous situation, living on the edge of a razor. As the song developed and I wrote the verses I came to understand that I was writing this song about hundreds of brave and strong women who have fought through similar challenges. Musically this song consists of my voice and three acoustic guitars, each played in a different manner. I finger-picked the chords of the song and played the bassline with my thumb (channeling my inner folkie) and Jeff Jensen strummed the same chords too give them depth. I asked my friend Albert Castiglia to add a guitar to it, and he provided the perfect complement by playing an acoustic slide guitar. I believe that we each felt the emotion of the song, as each has daughters of our own and understand the reality of the song. Honestly, this song fills me with pride.

Chris Gill – Between Midnight and Louise

Chris Gill – Between Midnight and Louise

We are happy to announce that Chris Gill is coming to Endless Blues Records. This new album is 100% Chris, the album he has wanted to do for some time. All him with his favorite guitars, sharing some great tunes with you. If you don’t understand the title of the album I ask you to look at a map of Yazoo County Mississippi – maybe that will help. The album is set to release on May 14, 2021 and available at Amazon, Apple and all your favorite streaming or download services!

Dexter Allen – Keep Moving On

Dexter Allen – Keep Moving On

We are pleased to announce that Mississippi sould and bluesman Dexter Allen has joined the Endless Blues family! Noted for his clever lyrics and overall musical skills, Dexter has released several previous recordings and has entertained people all over the world. He is a multiple winner of Mississippi Music Awards, including Entertainer of the Year in 2009 and the Jus’ Blues Entertainer’ Award in 2018. Dexter has toured on his own as well as with other entertainers, including a run as lead guitar player for Blues Legend Bobby Rush, and has shared the stage with an array of established blues artists. Dexter’s album, Keep Moving On, was released March 31st 2021 on the Endless Blues Label.


Before touring was put on hold, Dexter performed his original blues everywhere from Eric Clapton’s Crossroads Guitar Festival to the Legendary Rhythm & Blues Cruise. But you can’t keep a good bluesman down and Dexter’s Keep Moving On is a testament to that.

Keep Moving On showcases Dexter’s authentic blues chops. Born in Crystal Springs, Mississippi (home of Robert Johnson), Dexter got his musical start at 12 playing bass with his parent’s gospel band. He then toured the world at lead guitarist for Grammy-winning legend and friend, Bobby Rush. Dexter has since stepped out into his own spotlight, building an international following with audience engagement, soulful vocals, and passionate driving guitar inspired by influences like Buddy Guy and Clapton.

Keep Moving On‘s title song speaks of everyday struggles and triumphs everyone goes through, and gives hope that things are going to get better if you just keep moving on.

Get it here